CD - €16.75

The Blood of Heroes is a collaboration project featuring Justin Broadrick (Godflesh, Jesu, Napalm Death) and Bill Laswell, with beats from Submerged and End.user and vocals from Dr. Israel. Post apocalyptic soundscapes and de-imaged electronic beats backed up with heavy guitar and bass. Features live drumming from KJ Sawka and Balazs Pandi, and sound design from film sound architect M. Gregor Filip. Powerful anthemic tracks collide with vicious drum n bass beatdowns and intersperse with breathtaking synth beauty and Aphex Twin style mezzed beats. The soundtrack to post-solarflare humanity!

LP (BLACK VINYL) - €12.50

"A single 43-minute composition / symphony (broken into five tracks for easier access) from Japan's drone druids that goes from etheral to crushingly heavy and everything between. Stark in contrasts and attention to texture." Some bands are fly-by-night operations, garnering instant fame, critical acclaim and shattering all album sales expectations within their first couple years of operation. You've seen 'em before - they're certainly here today, everyone's darlings tomorrow, and merely relegated to curbside refuse service just before the end of the week. Boris is certainly not one of those spontaneous success stories. Though the thunderously heavy and melodic Japanese experimental rock outfit has only very recently been introduced to American ears - most notably via its groundbreaking 2006 release, Pink - the trio has been steadily grazing its unique sonic turf for well over the past decade. And the release of its latest full- length endeavor, Smile, will force the boundaries of Boris' already-expansive repertoire -which features nearly a dozen albums - into new extremes. This is the LP version of the cd released in 2005. A limited Picture Disc version on 333 copies was released at that time as well. - boris at last – feedbacker – is featured on the 2009 Motion Picture Soundtrack of ‘The Limits Of Control’ By Jim Jarmusch. - Boris is invited to ATP in NY this September (curated by THE FLAMING LIPS), where they will play Feedbacker in its entirety (for the very first time for years)- Lp comes with a huge poster!

LP (RED VINYL) - €12.50

GNAW was formed in 2006 by Alan Dubin (ex-Khanate, OLD) along with Jamie Sykes (ex-Burning Witch, Thorr's Hammer, Atavist), Carter Thornton (Enos Slaughter), Jun Mizumachi (ex-Ike Yard: 80's NYC industrial legends) and Brian Beatrice (Emmy Award winning sound design/mix wizard). Dubin thought it would be fantastic to collaborate with some of his respected musician/friends, all who have diverse music backgrounds to see/hear what would develop. GNAW's debut album "This Face is the sonic culmination of over a year of sound experimentation. It's a genre destroying journey that almost defies description. Sykes is a percussive madman blasting out anything from tribal beats to ultra slow tom killings. Mizumachi is a renown sound designer for film & TV and is a master of electronics including synth, factory noise, metal bashing and other craziness. Beatrice is also a sound designer and mixer for film & TV and was the mixer for "This Face" as well as experimenting and adding additional sounds. Thornton is a crafty musician who actually makes his own instruments. He played guitar, bass, piano and some unnamed home-made "things". Additionally, Thornton supplied field recordings and arranged many of the songs. Dubin rounds out the group with his gut-wrenching vocals, noise and arrangements. Screaming, singing, whispers and chants can be heard throughout "This Face". Dubin's lyrics are vivid portrayals of all things bad. All lps are pressed on 180 gr vubtk. White vinyl is limited to 100 copies, red vinyl to 150, black to 750.

12" - €16.25

Released as a one time only edition of 2000 copies, broken down across five different colors (300 each) and black vinyl (500 copies), housed in a Stoughton old style tip-on jacket. Mastered by John Golden at Golden Mastering at 45 RPM for maximum fidelity

PIC DISC LP - €18.00

Master Musicians Of Bukkake’s newest record and part of a Northwest trilogy, Marks an evolution from their first record 'Visible Sign Of the Invisible order' (Abduction records 2005). MMOB has now solidified into a 7 piece cosmic psyche force. Like a reverse dark side of the New Age sound, on the Totem series Master Musicians of Bukkake perform ritualistic electric excursions into the outer and inner reaches. Relying more on the electric power of psyched guitars, analog synth chants, and exotic heavy percussion. Totem one echos with the delusions of a West Coast Death cult. Outer spaced Gamelan, dusty fuzz rock from celestial deserts, meditations of a deranged Krishna gathering, and the Blurry acoustic guitar majesty of The Cascade mountains all reveal themselves here in epic form On Totem One. Every sound and note played put to tape by a group with a singular purging purpose.Totem one also features Vocals By MMOB honorary member Alan Bishop of the Sun City Girls.

Limited to 300 copies.

CD - €12.50

Thunderheads storming across the prairie, outraged students taking to the streets, migratory herds stampeding along the tundra--any number of images could describe the grandiose scope of Red Sparowes’ lush vignettes. Wielding both a master’s sense of nuance and an outsider artist’s unhindered expressionist zeal, the Los Angeles quintet created a catalog of haunting and hallucinatory guitar orchestrations over the course of the millennium’s opening decade. With two albums, a string of split releases, multiple U.S. and European tours, and a number of line-up changes under their belt, Red Sparowes are currently poised to release their third album and most impressive creation to date, The Fear is Excruciating, But Therein Lies the Answer. It’s tempting to describe the collaborative efforts of guitarists Andy Arahood, Bryant Clifford Meyer, Emma Ruth Rundle, bassist/pedal steel player Greg Burns and drummer David Clifford as soundtrack music. The absence of lyrical vocals and full reliance on instrumentation conjures comparisons to symphonic cinema pieces. Yet no composition in the Red Sparowes cannon feels subservient to a visual companion piece. Their music never comes across as a disembodied accompaniment, a partial representation of a larger composition. Every song is its own complete microcosm, a completely realized and contained moment of beauty. Though Red Sparowes’ music thrives unbound by narrative, the band provides a roadmap to their muse.
Their 2005 debut album, At The Soundless Dawn, cast the scientific inevitability of the Sixth Extinction into a grand funeral oration, revealing the message within the individual track titles. Their second full-length, Every Red Heart Shines Toward the Red Sun (2006) likewise provided a synopsis of the Great Sparrow campaign of the Great Leap Forward, laying bare its conceptual role. And, the jabbing assertions of the titles to the Aphorisms EP (2008 digital, 2009 12" vinyl) served a thematic precursor to the next album. Red Sparowes' latest offering, The Fear is Excruciating, But Therein Lies the Answer, began with the larger existential pondering of truth, faith, order, causality, and the innate demand for an understanding of the larger world around us. While Red Sparowes’ majesty is hardly in need of story, the provision of the larger metaphor yields a heightened depth and gravity to their work.
There has never been as pronounced of a leap in style and scope as with Red Sparowes' third full length. The Fear is Excruciating, But Therein Lies the Answer maintains their layered arrangements and swirling amplified crescendos, Americana noir soundscapes (punctuated by the extended pedal steel on “In Every Mind”), and gloriously triumphant melodies (“Giving Birth to Imagined Saviors”). Earlier records focused on the larger scope of the album, but the new album is song-centered, with the individual tracks harboring stronger independent identities. And where previous endeavors found the band propelled by enormous walls of sound, they now temper their monolithic progressions with distinct passages of separated and soft-spoken instrumentation. Red Sparowes were suspiciously absent from the playing field over the last three years, and now it’s apparent that they were busy drafting the grandest statement and finest achievement of their existence.

LP (CLEAR VINYL) - €12.50

Thunderheads storming across the prairie, outraged students taking to the streets, migratory herds stampeding along the tundra--any number of images could describe the grandiose scope of Red Sparowes’ lush vignettes. Wielding both a master’s sense of nuance and an outsider artist’s unhindered expressionist zeal, the Los Angeles quintet created a catalog of haunting and hallucinatory guitar orchestrations over the course of the millennium’s opening decade. With two albums, a string of split releases, multiple U.S. and European tours, and a number of line-up changes under their belt, Red Sparowes are currently poised to release their third album and most impressive creation to date, The Fear is Excruciating, But Therein Lies the Answer. It’s tempting to describe the collaborative efforts of guitarists Andy Arahood, Bryant Clifford Meyer, Emma Ruth Rundle, bassist/pedal steel player Greg Burns and drummer David Clifford as soundtrack music. The absence of lyrical vocals and full reliance on instrumentation conjures comparisons to symphonic cinema pieces. Yet no composition in the Red Sparowes cannon feels subservient to a visual companion piece. Their music never comes across as a disembodied accompaniment, a partial representation of a larger composition. Every song is its own complete microcosm, a completely realized and contained moment of beauty. Though Red Sparowes’ music thrives unbound by narrative, the band provides a roadmap to their muse.
Their 2005 debut album, At The Soundless Dawn, cast the scientific inevitability of the Sixth Extinction into a grand funeral oration, revealing the message within the individual track titles. Their second full-length, Every Red Heart Shines Toward the Red Sun (2006) likewise provided a synopsis of the Great Sparrow campaign of the Great Leap Forward, laying bare its conceptual role. And, the jabbing assertions of the titles to the Aphorisms EP (2008 digital, 2009 12" vinyl) served a thematic precursor to the next album. Red Sparowes' latest offering, The Fear is Excruciating, But Therein Lies the Answer, began with the larger existential pondering of truth, faith, order, causality, and the innate demand for an understanding of the larger world around us. While Red Sparowes’ majesty is hardly in need of story, the provision of the larger metaphor yields a heightened depth and gravity to their work.
There has never been as pronounced of a leap in style and scope as with Red Sparowes' third full length. The Fear is Excruciating, But Therein Lies the Answer maintains their layered arrangements and swirling amplified crescendos, Americana noir soundscapes (punctuated by the extended pedal steel on “In Every Mind”), and gloriously triumphant melodies (“Giving Birth to Imagined Saviors”). Earlier records focused on the larger scope of the album, but the new album is song-centered, with the individual tracks harboring stronger independent identities. And where previous endeavors found the band propelled by enormous walls of sound, they now temper their monolithic progressions with distinct passages of separated and soft-spoken instrumentation. Red Sparowes were suspiciously absent from the playing field over the last three years, and now it’s apparent that they were busy drafting the grandest statement and finest achievement of their existence.

Clear vinyl is limited to 300 copies.

CD - €12.50

Year of no Light spent most of the last 4 years spreading its enthralling psychedelic warfare to a continually growing audience. Alongside they parted ways with their singer (R.I.P) and recruited two other thirsty mercenaries. Shiran, of über-doom combo “Monarch!”, brings now his chthonian six strings to an already massive cathedral of noise and ambient drone tones. Mathieu, of deviant-electronics act “Aeroflot”, strengthens ritualistic tribal rhythm patterns.

Out of their cave, they secluded into an old theater to record these 4 tracks catching every possible vibration of the trembling frame of this enlivened a new mansion. All the energy collected at that very moment forms “Ausserwelt”, the sophomore album of Year of no Light. Mystical emanations flow out of these riffs colliding into each other to an in ear-splitting shriek. Cranked amps and molested drums hurl their mourning chant as a choir intoning its final psalms at the dawn of the Last Judgment. Year of no Light follows the path opened by “Nord” towards more somber psychedelics, creating its own blend of black metal, sludge, drone or any other influence marked with the seal of darkness.

Still no caps, no core neither stupid modern nihilism but instead an ambiguous electrical network of acting singularities, now ready to afford the collective metaphysical crash to come.